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Disney+ is developing a new Hocus Pocus 2 movie

We must have our lucky rat tail on us because Hocus Pocus could be getting a second life. Hocus Pocus 2 is in the works at Disney+, and Workaholics writer and co-producer Jen D’Angelo has been tapped to pen the script. Collider was first to report. The 1993 Disney film starred Bette Midler, Sarah Jessica Parker, and Kathy…

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Disney+ is developing a new Hocus Pocus 2 movie

We must have our lucky rat tail on us because Hocus Pocus could be getting a second life.

Hocus Pocus 2 is in the works at Disney+, and Workaholics writer and co-producer Jen D’Angelo has been tapped to pen the script. Collider was first to report.

The 1993 Disney film starred Bette Midler, Sarah Jessica Parker, and Kathy Najimy as the Sanderson sisters, a trio of witches who are resurrected on Halloween. While it disappointed at the box office and was critically panned, it gained a cult following after reruns each season on outlets like Disney Channel and ABC Family (now Freeform).

Reports say that while the original stars are not attached to Hocus Pocus 2, Disney is hoping to get them involved. It’s not yet known if the project will be a direct sequel with the same actors or a reboot with fresh characters and plot lines.

If a new movie does indeed go forward, it’s joining a slate full of nostalgic film and TV titles coming to Disney’s streaming platform. Some highlights include new material like the live-action Lady and the Tramp movie and the High School Musical original series, as well as throwbacks like The Fox and the Hound and Boy Meets World. While Disney+ launches Nov. 12, we’ll likely have to wait longer for more news about Hocus Pocus 2.

Kenny Ortega directed the original film from a script by Mick Garris and Neil Cuthbert, based on a story by Garris and David Kirschner. Omri Katz played the teenager who accidentally revives the Sanderson sisters, and his sister was played by Thora Birch. There have long been efforts to reimagine the film, with Disney Channel putting in development a TV movie two years ago, which never came to fruition.

Last year, when Hocus Pocus celebrated its 25th anniversary, the original stars spoke to EW about the movie’s enduring magic.

“I don’t think any of us who were making it at the time thought Hocus Pocus would have such a long life,” Parker said. “People tell me all the time they grew up watching it, and that they still watch it. I think it’s wonderful.”

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See Jennifer Hudson perform as Aretha Franklin from Respect biopic

As Jennifer Hudson‘s new film Cats claws into theaters, the singer and actress is making her debut as Aretha Franklin in a clip from the film Respect. In the video (above), Hudson is dressed in a long, sequined, gold gown with her hair cropped into a short haircut. Before you can even see her face, viewers…

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See Jennifer Hudson perform as Aretha Franklin from Respect biopic

As Jennifer Hudson‘s new film Cats claws into theaters, the singer and actress is making her debut as Aretha Franklin in a clip from the film Respect.

In the video (above), Hudson is dressed in a long, sequined, gold gown with her hair cropped into a short haircut. Before you can even see her face, viewers are introduced to her mezzo-soprano voice as she belts out the lyrics from Franklin’s hit “Respect.”

She says, “What you want, baby I got it. What you need, you know I got it,” as the lights sparkle behind her forming the letters R-E-S-P-E-C-T. With the lights finally highlighting her face, Hudson is transformed into the Queen of Soul.

The Liesl Tommy-directed biopic follows Franklin’s life from a child singing in her father’s church choir to achieving international superstardom. It also stars Forest Whitaker, Marlon Wayans, Audra McDonald, Marc Maron, Tituss Burgess, Heather Headley, and Mary J. Blige.

Before her death in August 2018, Franklin had hand-picked Hudson to portray her on screen. But Respect isn’t the only depiction of Franklin coming out in the new year. Cynthia Erivo will play the music icon in National Geographic’s Genius: Aretha, set to premiere in May 2020.

Respect is headed to theaters Oct. 9, 2020.

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Netflix’s The Witcher is nakedly terrible: Review – Entertainment Weekly News

Darren Franich was planning to review the new Netflix series The Witcher by himself. Then he watched half an hour of the premiere and begged his critical colleague Kristen Baldwin to join his quest. The results were not pretty. KRISTEN: I don’t know, should we start with the wig? The two most important things Hollywood learned from…

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Netflix’s The Witcher is nakedly terrible: Review – Entertainment Weekly News

Darren Franich was planning to review the new Netflix series The Witcher by himself. Then he watched half an hour of the premiere and begged his critical colleague Kristen Baldwin to join his quest. The results were not pretty.

KRISTEN: I don’t know, should we start with the wig? The two most important things Hollywood learned from the Lord of the Rings films are as follows: 1) It is possible to make an entire movie franchise about people walking, and 2) If you cast a hunk as a gentle-hearted fantasy-realm hero, make sure to put him in a white-blonde wig that looks like it was snatched straight from the head of Jennifer Elise Cox in The Brady Bunch Movie. And so poor, beefy Henry Cavill — who stars as Geralt of Rivia, the titular Witcher — finds himself saddled with a flowing, distracting mane of flaxen locks.

His hair is definitely the brightest thing about The Witcher’s first episode, which takes place in the dreary, muddy, soot-colored town of Blaviken. It’s a place where people don’t cotton to Witchers, at least if the grimy, bearded man Geralt encounters in the pub is to be believed. “We don’t want your kind around here, Witcher,” he growls. Rude. Anyhow, the pilot also features two rough-and-tumble princesses (Freya Allan, Emma Appleton), a wizard (Lars Mikkelsen), and totally gratuitous full-frontal female nudity. There are seven naked women in the first episode alone, Darren. Seven! I… think I’ve seen enough?

DARREN: Kristen, I have a confession. I am a member of the Henry Cavill Appreciation Society. The big Super-Brit was a deadpan delight in the goofball spyfest The Man From U.N.C.L.E. and a brilliantly looming tower in the most recent Mission: Impossible. Why, oh why, oh why he opted to star in a series that buries him under a bad wig and worse color contacts is a mystery to me.

Or maybe it’s a failure of franchise-chasing. The Witcher comes from novels by Andrzej Sapkowski, which also inspired an acclaimed video game series. I haven’t played the games, but the pilot has certain tropes from that medium exported without imagination to television. There’s the constant download of fantasy verbiage, including much talk about a “kikimora” and a town I swear is called “Blevicum.” Mikkelsen’s character has a big line about how Geralt “made a choice,” which feels like a hat-tip to the open-world nature of the games. The intention here is dark pulp fantasy, so this is the kind of show where a character like Appleton’s Renfri is a Princess and a mutant who has sex with Geralt the night before they battle to the death.

I’m definitely not averse to the wild extremes of this genre — shout-out to the visceral blood terrors of Adult Swim’s Primal — but the first episode felt like cheese gone moldy. That nude bordello really edged the whole vibe in a fratty direction, and the long running time required a lot of take-forever talk about prophecies and destiny. Did you watch further into the season?

KRISTEN: In the interest of professional obligation, Darren, I did sit through the second episode, which was notable for a few reasons. (Spoiler: None of those reasons include, “Because it was good.”) Henry Cavill gets far less screen time in the second hour — and he has to share his few scenes with a very, very annoying traveling bard (I would name the actor who plays him, but I’m fairly certain the writers didn’t even bother to name the character?). Anyhow, this very annoying traveling singer makes up tunes about abortion and says things like, “There I go again, just delivering exposition.”

Most of the second episode is devoted to the travails of a deformed young woman named Yennefer (Anya Chalotra), whose jerk of a father sells her off to a haughty witch named Tissaia de Vries (MyAnna Buring). It turns out Yennefer has some untapped magical abilities, and she finds herself enrolled in Tissaia’s School of Witchcraft and Wizardry, or whatever she calls it. So now this show is The Magicians featuring special guest star Henry Cavill, I guess?

The Witcher is also packed with confusing conflicts and long-held rivalries that require a lot of explanation but still manage to make no sense. The premiere sets up a princess-wizard showdown that is related to a curse (I think), while episode 2 introduces a budding war between Elves and humans. Apparently the Elves taught the humans how to turn something called “chaos” into magic, and then the humans unleashed a genocide on them. “I was once Filavandrel of the Silver Towers,” notes a majestic Elf (Tom Canton). “Now I’m Filavandrel of the edge of the world.” So yeah, this is some high-school level Dungeons & Dragons role play with a multi-million-dollar budget. Netflix canceled the far cheaper, far more entertaining The Good Cop for this?

DARREN: Because life’s too short for Netflix drama running times, I skipped ahead to the fifth episode, which brings the Yennefer and Geralt plotlines together. Episode 5 also features Magic Viagra and a masked orgy set to some truly ridiculous retro-softcore music. I do think there’s room for a mature-content fantasy romp in our post-Game of Thrones universe, but eternal exposition runs alongside a tin ear for dialogue.

This is the first TV show I’ve ever seen that would actually be better with commercial breaks. The goofy syndicated fantasy of yesteryear had to have a brisk pace, building every 12 minutes to an act-breaking cliffhanger. The Witcher fully embraces the endless-movie layout of the worst Blank Check streaming TV. At the end of the series premiere, someone tells Allen’s Princess Ciri that Geralt is her destiny. In episode 5, people are still telling her that Geralt is her destiny. I assume they will meet in the season finale. Alas, my destiny is to never watch this borefest ever again. Grade: F

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Star Wars fans get married at The Rise of Skywalker screening

Two couples said “I do” at The Rise of Skywalker screenings — because there is no try! Four Star Wars megafans tied the knot Thursday night at the opening night of the final Skywalker Saga film at ceremonies hosted by the Alamo Drafthouse Cinema in Austin, Tex. The couples (Andy and Wendee Forbes along with Matt…

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Star Wars fans get married at The Rise of Skywalker screening

Two couples said “I do” at The Rise of Skywalker screenings — because there is no try!

Four Star Wars megafans tied the knot Thursday night at the opening night of the final Skywalker Saga film at ceremonies hosted by the Alamo Drafthouse Cinema in Austin, Tex.

The couples (Andy and Wendee Forbes along with Matt and Mallory Anderegg) are described as longtime Alamo patrons who have made it a tradition of attending the opening night of Star Wars films through the years. They celebrated their fandom and love for each other with special Star Wars-themed weddings in the lobby of Alamo South Lamar.

They marched down the aisle to a strings arrangement of John Williams’ iconic “Imperial March” and were accompanied by a wedding party of Stormtroopers, Jawas, and bounty hunters.

Check out the video of the two ceremonies above.

As the minister said: “Love is the true Force which binds the galaxy together.”

The Rise of Skywalker in theaters now.

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